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Stipl, R. (n/a). RichardStipl. Available from: http://richardstipl.cz/ (Accessed: 26 April 2015).

 

Richard Stipl originated as a painter, however, has recently turned to making and painting sculptures in various materials such as wax and resin. He is technically excellent and has an uncanny ability to recreate expression in life sculptures both through sculpting and painting the forms. The above image reflects the various cycles of one persons personality swapping over time. The inanimate sculptures are both visually fascinating and believable. 

 

RICHARD STIPL

HYPER REALISM 

 

Klanten, R., Schulze, F. and Ehmann, S. (2011) Doppelganger: Images of the Human Being. Edited by Robert Klanten, S. Ehmann, and Franz Schulze. Germany: Die Gestalten Verlag. P.208 

 

SAM JINKS

Ultra-realistic work of sculptor named Sam jinks works with Silicone, fiberglass, resin, calcium carbonate and the works of the human hair constituting itself, notes taken: Started out as an illustrator doing cartoon characters in textbooks and worked in film doing creatures in movies. He exhibits his own work in his own time, the process is usually initial draings and sketches, then miniature sculpts will result in the final product. It is a very controlled process and can be technical, you want to make it interesting- throw in animals and make it surreal. A family member can effect the interpretation of the sculpt and unique. With the baby and the older woman it is abstract, it is like having the same person together. 

 

 

Interesthings. (2013).UnbelieveableRealisticSculptures-SamJinks. Available from: https://www.youtube.com/watch?v=GNaiYmS2lHo (Accessed: 22 April 2015).

Since going freelance as an artist, Ron Mueck has been making silicone or fiberglass and acrylic sculptures cast from clay models. His figures invite close-up inspection of blemishes, hairs, veins, and expression, If you stare long and deeply enough, you experience an uncanny reality. He makes selective adjustments to maximize the physical and emotional aura of his figures, but ultimately, they’re fiberglass objects that you can pick up and carry. 

RON MUECK 

MrStripeyHead. (2010).RonMueckArtExhibition. Available from: https://www.youtube.com/watch?v=QiuIGydJkBc (Accessed: 22 April 2015).

PRO TIPS: 

 

-If you look in a mirror, you see all the imperfections and asymmetrical things that you just can’t see otherwise because you’ve been looking at it too long.

- I had doodled this little man because in the photograph you couldn’t tell the size of the figure. With him there, I could see that the sculpture worked as a big thing.

PRO TIPS: 

 

- I made a chicken wire and plaster armature. Afterwards, I lined up the armature to see if it would fit within the profile of the drawing.

-I use a very hard dental plaster rather than plaster of Paris, and it does have yellow pigment in it. After I put the plaster on over the chicken wire, I also paint shellac over the plaster, which stops the plaster from sucking the moisture out of the clay. 

 

LianneMurphy. (2011).MakingTheBabyPart1. Available from: https://www.youtube.com/watch?v=4nPs4H4GmcY (Accessed: 23 April 2015).

HOW THEY HAVE INFLUENCED MY WORK:

The above three artists have greatly inspired my work and designs, from hair punching to intrinsically painting the moulds, painting on fine details extrinsically and ultimately creating a sculpture which holds an uncanny resemblance to the human form. Richard Stipl influenced the bodypaint I created on model Charley Rose where I gradually diminished her natural face with black paint. I created prosthetic gelatine lips which were adhered to her skin with Prosaide and the result had a horrific impact, the unknowing of were the natural features were and whether the prosthetic lips resembled her own, but twice. The artist plays with colour and grotesque sculpting styles to leave an emotional impact on the viewer and this influenced the bodypaint for those reasons. I often like to play with the human form and create an alternate being by means of disguise, this has always interested me and all of the above execute this technique with perfect finishes. Sam Jinks uses a magnifying glass and a needle to punch the human hair into his silicone sculptures and the statues are flawless.

 

I appreciate his advice on holding reference images close and constantly referring to them as a guide and have used this technique myself throughout the duration of the project. I will look to research the above artists and others in the field of hyper realism during my third year of study as the technique will become more apparent in my work and I will need a lot of practise in this particular style of moulding.

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